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Sequencers are fairly common for modern synthesizers, as are effects, with everything from reverb and delay to distortion and chorus available. You may also come across functions like chord memory, randomisation to aid in programming, and even patch points that transform the instrument into a semi-modular sound design machine.

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Music Radar Best Synth Poll SynthMaster ranked #1, SynthMaster One ranked #4 in MusicRadar's "Best VST/AU Synth" poll! 'This is one of the few instruments that we can confidently say is excellent for most categories of synth sound.'

MusicRadar readers choose SynthMaster as 'The Best VST/AU Synth' of 2016!"If you are looking for the Swiss Army knife of synth plug-ins, a single piece of software which can turn its hand to anything, then SynthMaster is a great choice"

Buying a used synth or keyboard is the best way to land a fantastic deal on an instrument. These days, lots of synth players find themselves on a constant quest for new sounds, and often buy a synth only to resell through Reverb a short while later.

As a result, you'll find the world's largest selection of used synths, keyboards, Eurorack modules, and other electronic music gear, all waiting on the pages of Reverb. Take a look below for the most recent listings and keep in mind that you can usually submit an offer on the individual listing pages to land an even better deal.

Moog make the kind of synths that can convince people to part with their money whether they want to make music or not. Until recently, you would have to part with a small fortune to buy one, but the Mother-32 offers the legendary Moog sound for under $600, which is enough to be considered affordable, especially for a company that charges over $3,000 for its flagship model.

Synplant is a software synthesizer with a genetic approach to sound creation. Instead of creating patches the conventional way by turning dials and knobs, Synplant lets you explore a world of organic sounds by planting seeds that grow into synth patches.

The purpose of this product is to move focus away from the sometimes intricate and difficult process of sound synthesis and instead let you develop sounds by simply using your ears. You will find that creating synth patches with Synplant will be as easy as listening and deciding what you like and then having the sounds evolve in the directions you desire.

It's not without its limitations - the lack of polyphony leaves it lagging behind the original DX7, Yamaha's Reface DX, and the various FM plugins out there - but the sound of those dark, percussive basses, icy mallets and '80s-style horns is bang on, and if you start to push the capabilities of this tweakable, hands-on little synth, you'll find it's capable of some truly unique tricks.

In the 1990s, wavetable synthesis was the fuel behind the dance and electronic music fire, delivering an intuitive way of accessing a wide variety of sounds within a single patch. For sound designers and experimental producers, it was unparalleled in its creative potential. As one of the pioneers of this method of synthesis, Korg has now reintroduced it to the world with the Wavestate.

Unlike some of its previous products, this is not a cut-price clone, and delivers its own take on what a $900 analogue polyphonic synth should be. Throw in the free cross-platform editing software, 1,024 onboard presets and a three-year warranty, and you have an alluring package.

The original Waldorf-powered Sledge launched in 2012 and, despite being pretty reasonably priced and offering a very solid synth engine, largely fell under the radar. However, v2.0 is a significant upgrade. There's no doubt that the Sledge's front panel has been largely influenced by the Minimoog with its classic three-oscillator plus filter plus dual envelope layout. It's a great choice of design as it's very familiar to most people and flows very nicely.

The Pro 3 might be seen as a monosynth but it is a three-voice paraphonic synth, making it a versatile beast. The way it cycles through the voices makes it easy to get complex and creative with arpeggios and sequences, in tandem with different octave settings per voice. Pro 3 does 'pretty' and 'subtle' well but where it shines most is when you add a little grit, which is easy to do by way of the filter and Tuned Feedback sections.

The abilities of each section combine to make Pro 3 a true powerhouse of sound design. The drive sections are outstanding and the mod matrix, in tandem with the fabulous sequencer, make this one of the most versatile synths out there.

PolyBrute is a digitally-controlled analogue synth combining multiple VCOs and VCFs with a powerful modulation matrix, sequencer and arpeggiator. It features the same button matrix as found on the MatrixBrute which can act as a handy preset browser, a controller for the multi-lane sequencer and, most usefully, a digital patchbay for assigning and editing modulation routings.

Performance-wise, this synth is super hands-on and everything is under direct control with very little hidden. Sonically, the analogue-style waveforms sound fat with plenty of beefy low content, great mid presence and cutting high-end and the S6 definitely has its own vibe going on. Versatility is a recurring theme and this synth is great for percussive hits and textures, or more smudgy pads, snappy synth brass, precise basses, punchy cutting leads and more.

The OB-6 is a 6-voice synth with an all-analogue signal path and discrete VCOs and filters. It was developed in collaboration with Tom Oberheim, and boasts a sound engine that's inspired by his original SEM. In fact, the OB-6 promises "true, vintage SEM tone with the stability and flexibility of modern technology".

The architecture features two oscillators per voice, with continuously variable waveshapes (sawtooth and variable-width pulse, with triangle on oscillator 2). Each voice also has access to a SEM-inspired state-variable filter (low-pass, high-pass, band-pass, and notch). Completing the signal path are voltage-controlled amplifiers. Throw in a powerful modulation system, dual effects section and knob-per-function front panel and you've got a top-dollar synth that will keep you entertained for years to come.

At its heart, the Quantum is an 8-voice, bi-timbral (2-part) synth, using very high-resolution stereo oscillators routed through dual resonant analogue (or digital) filters. Sounds can be split and layered and voices can be allocated flexibly between layers; each layer can also have its own output for independent processing. Importantly, there are four independent synthesis engines (across the three oscillators).

How you can alter presets or create your own sounds with a synth's hands-on controls is the next big consideration; synthesizing a sound is what synths are designed to do so how easy this is to do is obviously very important. We look at this in terms of the signal flow and then the number of controls you get or whether you have to navigate through layers of menus to make parameter changes. The more hands-on and easy it is to make dramatic sonic changes, generally the better.

Then there are other sometimes optional but very useful features like an arpeggiator (where multiple note patterns can be triggered with a single note press), a sequencer (where defined note patterns can be programmed) or effects. Effects are very useful to add instant atmosphere (reverb), delays, thickening chorus, distortion and more to a sound, very often changing it as much as any on-board synthesizing options.

The KORG Collection is a suite of software synthesizers that carefully recreates the authentic sound and behavior of some legendary Korg synthesizers for the present day and beyond. The software synthesizer suite covers a broad spectrum of synthesis from early analog masterpieces such as the MS-20 and Polysix to digital hits such as the M1 and TRITON workstations.In 2022, three unique instruments loved by creators around the world are now included: microKORG, the best-selling synthesizer since 2002 that focuses on the joy of fun performance and great analog modeled sound,; the ELECTRIBE-R, the original ELECTRIBE that enables anyone to make beats instantly, and KAOSS PAD, which mirrors the revolutionary KAOSS PAD effects processor that freely controls effects through the intuitively controlled touch pad and now available in a powerful software format. KORG Collection 4 is now available, covering a vast array of sounds and effects that symbolize each era.

The KORG Collection accurately reproduces some of the legendary KORG synthesizers used and recognized around the world. Created under the supervision of the original developers and advisors, this collection offers the "real thing" in software form - only available from KORG.KORG's renowned Component Modeling Technology, CMT, is used to provide a feeling of the organic and unexpected characteristics unique to some of the greatest analog synthesizers ever made. These analog keyboards are thoroughly modeled to include the unique characteristics and peculiarities of each synthesizer. The digital models are fully loaded with thousands of PCM/sound programs. In addition, the M1 includes the 34 original expansion cards, the WAVESTATION includes the 7 original expansion cards, and the TRITON includes the 8 original expansion boards, all of which used to be sold separately. All of the iconic "sounds" that everyone will recognize are included.

The KORG Collection reproduces the original hardware with specially selected improvements necessary for music production. The collection also features polyphonic versions of what were originally mono synths, impossible in the originals, as well as virtual patch support, high-quality effects, and a convenient browser function that allows you to search through a vast array of sound programs. Another highlight is the easy-to-use graphical user interface designed for fast and intuitive use. 041b061a72


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